Roja Kannan goes on a temple trail in her new work

The senior dancer traced the story of Tiruchendur Murugan through a carefully-curated recital at Bharatiya Vidya Bhavan.

Updated - January 29, 2026 05:28 pm IST

Roja Kannan’s thematic production on Tiruchendur Murugan.

Roja Kannan’s thematic production on Tiruchendur Murugan. | Photo Credit: M. Srinath

Roja Kannan, along with her students, unravelled the intriguing aspects of Tiruchendur Murugan in ‘Theeraavinaitheerkum Thiruchendur’, in her carefully-crafted recital at Bharatiya Vidya Bhavan.

The evening commenced with pushpanjali in raga Shanmukhapriya. Thiswas followed by a viruttam and Subramania kavuthuvam with verses from Thiruchendur Shanmuga Stotram. In each of these items, the synchronised movements of the dancers aligned perfectly with the jathi.

Murugan as Valli Kanavan was depicted through expressive abhinaya and gestures in the Ragamalika Shabdam. It was heartening to see the context being reinforced through the traditional margam.  

Students of Bharathanatyalaya presenting the thematic production ‘Theeraavinaitheerkum Thiruchendur’.

Students of Bharathanatyalaya presenting the thematic production ‘Theeraavinaitheerkum Thiruchendur’. | Photo Credit: M. Srinath

Parur Ananthashree and Sahana Selvaganesh, senior students of Bharatha Natyalaya, performed Lalgudi Jayaraman’s varnam in Nilambari raga, Adi tala, which celebrates Tiruchendur Murugan. The dancers touched upon the sthala purana of Thiruchendur and depicted how Muruga is worshipped by his devotees — observing fast and carrying the kavadi on their shoulders.  

The highlight was Roja Kannan’s soulful depiction of the story of Kumaraguruparar in Periyasami Thooran’s  song ‘Muruga muruga yenraal’ in Saveri raga, Misra Chapu tala. The story goes that Kumaraguruparar, who was a mute till he was five, was brought to Tiruchendur by his distraught parents, where he began to talk, believed to be due to the grace of Muruga. The panner elai vibhuthi of Thiruchendur cured Adi Sankarar and Vishwamitrar from their debilitating illnesses. These were portrayed through Adi Sankarar’s ‘Subramanya Bhujangam’ presented in Ragamaliga.

Roja kannan’s thematic production on Tiruchendur Murgan.

Roja kannan’s thematic production on Tiruchendur Murgan. | Photo Credit: SRINATH M

The concluding piece was a thillana in raga Tillang followed by Tiruppugazh. The orchestra included Roja Kannan and Parur M.S. Ananthashree (nattuvangam), Prithvi Harish (vocal), G. Vijayaraghavan (mridangam) and R. Kalaiarasan (violin).

0 / 0
Sign in to unlock member-only benefits!
  • Access 10 free stories every month
  • Save stories to read later
  • Access to comment on every story
  • Sign-up/manage your newsletter subscriptions with a single click
  • Get notified by email for early access to discounts & offers on our products
Sign in

Comments

Comments have to be in English, and in full sentences. They cannot be abusive or personal. Please abide by our community guidelines for posting your comments.

We have migrated to a new commenting platform. If you are already a registered user of The Hindu and logged in, you may continue to engage with our articles. If you do not have an account please register and login to post comments. Users can access their older comments by logging into their accounts on Vuukle.